Wednesday, January 30, 2013

Playing in a band


It hit me hard yesterday – how much I miss having and playing with a band!

With the recent recordings I’ve played all the instruments, usually starting with an acoustic guitar or piano and going on from there, adding more guitars or piano/keyboards, strings, and individual instruments for a particular track – dobro for Country Tales, harmonica, banjo etc.

As we record the song’s arrangement develops.  Tim Palmer, my wonderful co-pilot who engineers everything, gives me the space to try things, ideas that are in my head.  Four out of five times they don’t work but when that one does ……..  It’s great to have Tim to bounce ideas off and being a musician himself too he has valuable input.

What I miss though is bouncing off a group of musicians, musicians who are far better at playing their instrument than I am, and sitting together in a room, in various studios, in a field (we used to practice our harmonies in a field just outside Cardiff), or harmonies on a beach in Santa Barbara, (there have also been some not quite so nice rehearsal places, one in LA comes straight to mind, but that’s another story!).

I’ve always said that I’ve been blessed with playing with top musicians, right from the first band I played in when I was thirteen or so in Cardiff, with an outstanding guitarist, Ian Devine, who played with Ludus, and also Stratton and Devine.  I’ve mentioned Ian before and hopefully he’s going to play on a track for one of the albums this year.

Another fine guitarist I played with in a later banc was, and is, Tony Crooks, so emotional, so talented.  Tony played with Leo Lyons of Ten Years After in a band called Kick who released a couple of albums, (Leo of course was used to playing with a certain Alvin Lee……. enough said). Tony is about to launch a solo career after being in a successful UK band.

The last band I really had included Marty Grebb, who was Bonnie Raiit’s saxophonist and keyboardist; Chet McCracken from the Doobie Brothers and Chris Pinnick on guitar from the band Chicago.  We recorded at Danny Hutton’s studio in Trancas canyon in Malibu (Danny was of course the driving force in Three Dog Night, and he sang harmonies with me). 

This was quite a few years ago, it’s been that long but you’ve got to up your game with players like that.

I wish I was a better guitarist or piano player but when I pick up a guitar or sit at a piano, I usually start writing, not practising.  Being proficient on an instrument though means you can hear, and add, more elaborate parts, play a riff better or of course provide a breath-taking solo, all of which adds to the finished track.

There's also of course the magic of playing with a band that really clicks .......

It opens up though the debate about songwriting and who does what in the band and gets what royalty.  Spandau Ballet appeared in court a year or so ago, three of the members sued Gary Kemp for a share of the songwriting royalties.  Songwriting is where the real money is.  Kemp won, and deserved to. 

For me, the person who turns up at the rehearsal, and sits down and plays the basic chords with the lyrics and melody is the songwriter.  The rest is arrangement.  Should George Martin have received songwriting credits?

Many bands now make an agreement to share royalties, Duran Duran for example.  Le Bon usually writes the lyrics and various other members have written the music for their different songs but all the songs are credited simply to the band.  Lennon and McCartney of course used to credit each other, regardless of who actually wrote the song.  In later years of course they hardly wrote together but the agreement stood, (Lennon often spoke about getting credit for Yesterday for example and admitted he hadn’t written a single note or word of it, it was all McCartney’s song).

It is one of the main causes of discontent in a band – one member, the songwriter, is able to buy the mansion, buy the classic cars, the others struggle – East 17 are a perfect example of this, with songwriter Tony Mortimer still enjoying the financial rewards of writing songs like Stay Another Day whilst the others are broke.

So, I’m going to be looking for musicians.  In Nashville of course you’re spoilt for choice with some of the best musicians in the world being based there, so it’s exciting and nervy at the same time but I can’t wait.


Saturday, January 19, 2013

Send in your vocals today and join our backing vocalists


So ………….. I had this idea!
I’m always having ideas.  They always seem straightforward, simple and logical – until that is I speak to someone who knows what they are talking about!  When I had the theatre it became a running joke.  I’d say “I’ve had an idea,” and everyone would disappear! I would try and sell these ideas as two-minute jobs.  They of course in reality took a lot longer but they do work – usually.
So the most recent idea I’ve had was two weeks ago when I started thinking about a duet for the new album and the possibly logistics of recording the female vocalist.     It’s common knowledge these days that the two singers don’t even meet; they can record their vocals thousands of miles apart.  They then send their vocal as an attachment or through Dropbox to the producer, who then mixes the two vocals together.
Image
Tim Palmer and I are finishing recording my Country Tales and Hobo Trails album, putting on the vocals, and the idea came  – why not get people to provide the backing vocals to the chorus of the title track.  Could we make this work?
I spoke with Tim and told him the idea.  I thought that if Tim, as a great engineer, couldn’t do it, it couldn’t be done – but it seemed so simple!
Tim edited two lines from the track, the chorus ‘hook’ line, with scratch vocals.  I uploaded it to Soundcloud, nice and easy for everyone to download from.
We provided a link to the clip on Soundcloud through the media and the websites etc., and just told people to record themselves singing along with the two lines, either in harmony or the same as it’s sung on the track.  They can record it easily on most mobiles as a voice memo and send the recording as an mp3 as an email direct from the phone – easy!
Those more technically minded can download the clip on to Garageband, Logic, Cubase or any music software, record themselves singing with it and again send it back to us as a mp3.
In return for doing this everyone who sends in a copy of them singing the hook will get a name check on the album. All clips sent in will be used.
Once we get them all back Wizard Tim will sprinkle is magic dust, mix them all and then add them to the song.  A truly international choir.
No, there is no charge or fee for this.
If you haven’t done it yet, why not do so?  Amateur, professional, whatever, just for fun, and of course it’s completely free, there’s no charge or anything. 
No, there are no royalties, no rights, ownership, claims, nothing, this is purely for fun – and no, we won’t use the recordings sent in in any other way but by sending them in you do consent in full for us to use them of course!
And it seems to be working so far but let’s get as many people from as many countries as possible.
The email address to send your recording is: countrytales@outlook.com.
The deadline is January 31 so get recording!  Tim and I are looing forward to getting your recordings – and who knows, maybe we’ll find the female vocalist for the duet as well!

Monday, November 5, 2012

Winter and Guy Fawkes; Recording; a poem


Winter has arrived; snow in the west of England, it is now so much colder.  As a kid it was always bonfire night that seemed to be the turning point from autumn into winter.  Standing around watching the Guy go down in flames, bobbing apples and games.  I do remember taking a guy in a homemade 'buggy' down to Wellfield Road with friends; "Penny for the guy", the money going towards fireworks.

My American friends don't know about Guy Fawkes night, the attempted blowing up of the Houses of Parliament.  It is strange to see though this year just how much the Brits have now taken to Halloween, not at all promoted by shops and companies for financial gain!  Up until a few years ago it went by unmentioned almost.

The change from Fall into Winter is one of the most beautiful times of the year but also always brings colds, coughs and the flu.  We turn the heating on for the first time and light the log burner.  I've been suffering from a cold, and now cough, the timing could not be worse as am supposed to be recording vocals this week!



Probably not going to happen so finalizing last drafts of the two Christmas short stories this week.




Watched Tom Selleck in Thin Ice yesterday, another in the series of TV movies based on Robert Parker's fine books featuring police chief Jesse Stone.  Selleck acts as producer, even story writer and stars as Stone.  The films are always atmospheric, quite Scandinavian in their production and an influence for me on Jackson Woods, as are the Wallander books and television series (not Branagh's version, solely produced to sell to America, as they don't like subtitles!).

So have revisited Jackson, yet again, getting closer to finding him.

Deadlines are changing; Country Tales put back to early January, only because it was thought that January would be the best time to release an album, and not immediately before Christmas.  Today was Tomorrow Yesterday still set for February release.  I'm really pleased too with Songs From a Trailer Park, which comprises of demos and other takes, all recorded on my iPad with Garageband.  Springsteen's Nebraska was recorded on an old four track cassette recorder and I love the honesty and feel of that album, very personal, and that's what I hope for Songs.


Tomorrow is election day in the US.  The race is apparently too close to call. I think Obama may just grab it at the end, but I don't think anyone knows.

Finally, here's a new poem, hope you like it.

Dreamers


Sunday afternoon
drummers
dreamers
Cheaters 
play
hide
behind Halloween masks
But the truth can not be hidden
Once it is already known
by a heart
by a love
the betrayal remains
always
denied perhaps
but not hidden
dreamers
flee into their worst nightmare
Sacrifices
of the heart
Run off
to a foreign isle
But will the leaving
prove too hard
But it is better than being alone
Isn't it?
but the price to pay
is high
Sacrifice of pride

As he has no tomorrow
Yesterday's singer 
tries to keep his past alive
A troubadour
once stole his music
Stole his dreams
Fireworks
light up the sky
light up the lie
Quickly
going nowhere
No further forward
in his life

Dangerous believer
of his own faith
The last religion
he could find

Once you've lost trust
Only a fool says they believe
They won't
or can't
admit the truth
It's the lies
they prefer to see
They are easier to see
easier on the heart
Betrayal
is the deepest pain
Stabbed
Inflicted 
by lust
desire
selfishness
and greed
Leaves yet another scar
one
that never really heals
The strong
continue to
prey
on the hearts 
of the weak
of the dreamers

Jon x




Saturday, September 1, 2012

My father; parenting



Maybe it was the blue moon over Nashville but I woke up last night around three a.m. and couldn’t get back to sleep.  Do you ever have those nights when you fall asleep straight away, sleep heavily, wake thinking it’s morning and you’ve had a great night’s sleep, only to discover you’ve been asleep just for a couple of hours?  And then you can’t get back to sleep.

I went over a conversation I’d had yesterday with our neighbour Nick about parents and residential homes.  Britain is one of the worst countries for putting our elderly into homes.  I don’t have that problem, I’m an orphan!  I joke about that but the reality is, I am, having lost both parents.

My father died at the same age I am today.  His father, my grandfather, passed when my Dad was only nine.  I keep checking my pulse!

My father was the most remarkable person I have ever met.  I have spoken about him before and I know most of us think our parents are the best, and of course they are, but last night I thought about some of the things my Dad had done.

In 1942, aged seventeen he left school early, lied about his age and joined the R.A.F.  Two months later he found himself on the Queen Mary headed for New York to train as a pilot.  The R.A.F. couldn’t train pilots in Britain as the Battle of Britain was going on so they sent potential pilots abroad – South Africa or in my Dad’s case, America.

He had to stay in New York for a few weeks waiting for his transfer, living on Central Park but the Harlem end.  He used to frequent a few clubs in Harlem, jazz clubs.

He was then transferred to a United States Air Force base in San Antonio where he did indeed learn to fly with the USAF.

Like most people who have experienced war, my Dad would never talk about his experiences but did once tell me about an incident that happened.  The plane he was flying in Texas developed a fault and he had to eject.  He landed in a field, and hurt his ankle.  Luckily for him a man was working in the field and he helped my Dad, taking him back to his own home.  The man was black, and the home was basically a one-room shack.  My Dad remembered cartoons being on the wall as wallpaper.

The man’s family were there.  They fed my Dad and let him sleep.  When he felt better the man helped my Dad back towards the town but would only accompany him so far – blacks weren’t allowed any further.

My Dad thanked him and started to walk back.  As he turned a corner he came across the body of a young black boy hanging from a tree.  This was real, not a film.   When my father got back to town he found out the reason – the young boy had deemed to talk to a white girl.

Have we progressed since then?  Yes, but not enough.  Two days ago someone actually asked whether ‘blacks’ were allowed to use the swimming pool – not, you understand, that she was racist! Right!

My Dad returned to Britain and became a pilot for the R.A.F. flying Lancaster bombers.  I’ve often thought of the responsibility he must have felt, not yet twenty.  He had a crew of six other men and they flew over Berlin, Hamburg and other German towns.  He was one of the lucky ones, he survived the war, or did he?  It stayed with him for the rest of his life, regret, guilt perhaps, and I do believe it was the cause of his early passing.

In the last year of his life he and my Mum went to the old air base in East England where his squadron was based.

My father was a very emotional man, one thing I’ve inherited, and I remember when we went to Germany he deliberately tried to face his demons, visiting the towns he had flown over in that Lancaster, towns that were destroyed, life’s taken and lost.  I remember him crying, and I now in turn at that memory have tears in my eyes as I type.

He was also a passionate man.  Another thing I inherited from him was a love of fast cars; the difference is he knew how to work on them, I know how to turn the key and put petrol in!  Well, maybe a bit more but not much.  He was an amateur rally driver, racing around Wales and England at weekends, with my Mum often as navigator.  Unfortunately my experience of my mother as a navigator is not a good one, she sent us not to the wrong town but the wrong country when we travelled around Europe one year.

That was another example of my Dad.  In 1967 he packed my Mum and a very young me into his beloved new Ford Zephyr and took us around Europe for four weeks.  In those days you were only allowed to take twenty five pounds, forty dollars, in cash!!!! The rest has to be in traveller’s checks.

There was no internet, no mobile phones, no sat nav, but, even with my mother’s ‘help’, he managed to get us through Belgium, Germany, Switzerland, Austria, Luxembourg, Italy and France.

He was passionate about politics, being the agent for two Cardiff Members of Parliament, Ian Grist and Stefan Terlezki.  He was a strong believer in free enterprise.  On election day our house became Battle H.Q.  I remember our dining table would be covered by the local election roll which listed every single person in the area that was eligible to vote.  As the day progressed, with information obtained at the voting stations, people’s names would be crossed off as they had voted.  By late afternoon any potential Conservative voter who hadn’t yet voted were visited and asked is they needed a lift to the polling station.  My friends and I roamed the streets of Roath Park knocking on people’s doors, trying to encourage them to come and vote.  I used to love election days.

Dad was the best people’s person I’ve met.  I used to see people go out of their way to talk with him, judges, barristers, politicians, mechanics, engineers, and of course musicians - he could talk with anyone.   I can remember as a young teenager walking through Cardiff’s main street and these guys with really long hair, tattoos etc., stopping him and talking to him.  I was scared but then amazed to see them all laugh.  It turned out my Dad and Mum would frequent a club of one of his clients.  The Revolution was a drug den in Cardiff, playing heavy rock, but had a late licence, and live music, and that’s where he and my mother used to go!

They also used to go to The Fantasia, which was owned by another of his clients, (and my godfather), Annis.  It was known to allow ‘gays’ be themselves openly, at a time when it was still illegal in the U.K.

Towards the end of his life, emphysema struck and he found it had to walk far.  He used to have a portable oxygen tank in the car and would have to slowly walk from the car to wherever he was going.  He had three favourite haunts – the Royal Air Force Association club in Cardiff; the Pegasus flying club at Cardiff Airport and the Captain’s Wife in Sully.

His big passion though, that he shared with my Mum, was music.  He was a huge jazz fan, loved Sinatra, swing.  The only person I have ever asked for an autograph was Woody Herman.  It was my first visit to the States, I was seventeen, and I went to Disneyland, and Herman was performing there, with his band, The Herd – not Peter Frampton’s band I hasten to add!  When I got back to the UK I showed my Dad when Herman had written – it was to my Dad and Herman congratulated him on raising a son who obviously had great taste in music!

I’ve said before about my Dad taking my friends and I to concerts, Oscar Peterson comes straight to mind, but I in turn introduced him to the music I was listening to – early Springsteen, E.L.P. and Marc Bolan.  He was with me at the day long concert at Cardiff City’s football ground, (the headliner was Bob Marley!) when I met my idol Bolan who was there because his wife Gloria (Tainted Love) Jones was performing.  He and Bolan talked about Elvis of all things.

He was also there when I met Davy Jones of the Monkees for the first time.  We were at the New Theatre in Cardiff, and Davy was in a play.  They had a long talk about session musicians.  Davy was a genuinely lovely person.   I remember that that night was the first time I was asked for my autograph!

Finally Dad came with me to Swansea to see The Who at Swansea football ground.  We stood in the wings at the side of the stage watching them, Moon on drums was amazing, and on form.  A few weeks earlier my Dad had taken me to see Buddy Rich in Bristol, another great showman.  Rich used to come on from the wing, playing his sticks along the floor until he reached his kit.  It took him ten minutes to actually sit behind his kit.

I had also taken my Dad to see Emerson Lake and Palmer, again another tremendous group of individual musicians.   I’ve since met Carl Palmer on a number of occasions and I remember him telling me a great story just a few years ago.  Carl had I believe started seeing Buddy Rich’s daughter.  Carl, even though he was Carl Palmer, was in awe of Rich, not just because he was his girlfriend’s father, (which is bad enough), but because he was, well, Buddy Rich.  Carl had visited the house on a couple of occasions and had met Rich obviously but they had not really talked about music, or drumming.  Then one day Carl went and Rich came in to the room and simply said, “So, you wanna play Carl?”  Carl called his outstanding solo album exactly that.  Nice story.

I digress; my Dad had his faults, his weaknesses, women being one of them.  As a parent though I think of him and wish I could be more like him.  If there is one thing in life that we are not prepared for, it is being a parent. 

He never shouted at me, he might raise his voice but that was it.  He never hit me, and I was never afraid to go to him whenever I was in trouble.  I look at my own kids, in the crazy, pressurised world they are growing up in, and wonder how he’d handle a situation?  Eh Bailey???

He also helped my friends, one ‘friend’ in particular, who was in trouble with the police on a number of occasions – his parents never found out, nor his then girlfriend, now his wife.  The one time my judgement of character has let me down.

He taught me to be independent, believe in myself, follow my dreams.  It is fair to say I would not be the person I am if it wasn’t for him.  He was so open with his emotions, as I am, have always been.

My Dad also taught me that life is so short, so precious – his passing so young a constant reminder for me of this.  Live for the moment, make mistakes but have no real regrets.  My own saying – you can’t have the highs if you don’t have the lows.

Life is indeed what you make it.  We all have ghosts, and that’s what I realised early this morning before finally getting back to sleep.  My father’s ghosts killed him.  I have never really written a song for him, but the ghosts of Berlin and Hamburg haunted my Dad for the rest of his life.  He followed his heart, fought for what he believed in, in his country, but the cost to him was high and one that was never really settled.  He would have experienced conflict within himself, conflict that he kept to himself.  It makes me appreciate our forces so much more.

More than anything though, those few hours early this morning, and the ghosts and spirits and memories that occupy those dark hours before daylight, simply made me appreciate my father even more than I already did and made me realise just how much I owe him.




Wednesday, May 16, 2012

Chasing our dreams


Against my better judgment I answered a post on Craigslist last week from a female singer.  To cut a long story short, it very quickly became obvious that she was a flake, a time waster; she'd been in Nashville for three years, (she'd moved from Louisiana to pursue her singing career, which was a good sign) but she had had no professional photographs taken, no identity as an artist, and only one demo song (she sounded 'exactly' like Jewel, even CJ commented on that) and then lied.  What's the saying, be careful what you wish for?  If someone shows an interest you should be knocking down their door - you only get out of something what you put in.

You are more than likely a dreamer if you're in entertainment as a performer, be it a musician, singer, actor, and have aspirations, and that's how it should be, but you have to have drive and hunger and be realistic and professional.  Don't play at it, don't waste people's time, or your own, keep putting people in awkward positions, people who feel they can't say no to you, and keep going on about it for years without doing it, and I'm speaking from my own experience, no-one else's.

There's another saying, "You've made your bed, now lie in it".  We are solely responsible for decisions and choices we have made, and make.  Life is a journey, a road, and we reach crossroads, perhaps one way clearly signed, but for the other road the signpost has been stolen, so destination unknown.  Most of us take the safe road, where lives are mapped out and directions are clear.  Sometimes we ignore warning signs, "Don't do that!" and then we pay the consequences, and/or accept them.

When we're young our whole lives stretch out in front of us.  I look at my children and see their dreams and aspirations and see them strive to make them come true, which they are, but that's because they have actually done something about them and not just talked about them, sat around waiting for someone to hand them their dream on a silver platter.  Taylor has found his niche now with work and is so good at it, a natural.  Courtney took a chance,  moving four thousand miles by herself to take up an unpaid internship, which has now turned into a full time, well paid position with a small team who are probably the most successful PR firm in Nashville at the moment, working with the top artists.  Bailey in the meantime is still finding his direction, finding himself!  He is only fourteen though, an exciting time in life, I hope he chooses his path wisely, takes chances, believes in himself.

It's the people with a vision, backed by that drive, who succeed; people with self belief, and of course talent, in whatever profession they choose.  Talent will out in the end, always.

Thursday, May 10, 2012

Classic albums and mid life crisis


I remember the first time someone said to me, "I'm going away for the weekend, I need to find myself."  I flippantly remarked, "Why, when did you go missing?"  She took this question seriously though and answered, "Sometime in the last ten years."

As we get older do we lose sight of who we are or is it that we change as we grow older, go through experiences and come out someone totally different?  Women I think change more than men, they must do, having children must totally change how you look at yourself, your body; men will never, ever understand this.  Girls grow up, mature, much quicker than boys - they deal with puberty much better, they have to I guess, it's as simple as that.  I'm not sure boys could actually deal with the things teenage girls have to go through.

When we reach a certain age though we start to examine who we are, who we've become.  Have we lost our own identity?  You're someone's father/mother now, or someone's husband/wife - what happened to you?!?

So, many people try to recapture their youth.  Yes, it is the mid-life crisis!  Mainly it is men who go through it.  I wonder if losing their mother has anything to do with having this crisis?  Men deny having had a mid-life crisis, I haven't, but many do - they buy the Harley (don't they Tim? lol), or have a ridiculous African Tribal fertility tattoo of a snake put right across their (very) lower stomach!  It's not just men though; I remember a woman leaving her husband of fifteen years, cutting off her long brown hair into a short white, peroxide crew cut, and running off to Italy with another man on his Harley - only for it to break down two days in and she had to ring her husband to pick her up - which I think he refused to do! Good on him.

I've said before that I honestly don't feel any different today then I did when I was fifteen.  Now, I'm not sure this is a good thing though.  I have as much energy, drive and ambition as I did then, and I tell my body that it's not really tired after a late night or one too many bottles of wine (eh CJ?), it just thinks it is, (or that it should be after all these years).

There's a song of mine on The Rodeo e.p.  (available July 4) called 'Do You Remember Us', which has the lines "Real life got in the way, and we got lost along the way".  We can and do get lost and sometimes we try to reconnect with ourselves.

I've done this myself recently by rediscovering certain albums that inspired me as a kid to become a songwriter; classic albums - Bolan, Bowie, Dylan, Springsteen, Young, Zeppelin, The Stones and The Kinks.  It struck me that the days of such classic works, classic albums, have long been over.  Now it's all mainly singles and downloading favourite tracks.


Creating an album was and is a painstaking, tooth pulling, experience; which track should open the album or close it?  Every track had to compliment the one before or after, or be completely different to change the mood totally.


What was the last truly classic album?  Where are the Pet Sounds, or Sgt. Peppers, or even Nevermind or Definitely Maybe.   Has there been an album in the last ten years, five years, that will inspire songwriters and bands of tomorrow?  There have been many accomplished albums for sure, Bruno Mars' album comes to mind, a wonderful talent, and there have been some incredible tracks of course, but albums.........?

The revival of vinyl has been continuing but as a music fan I have to admit, I don't care what I listen to my music on - I have a windup gramophone for my 78's (yes kids), a 60's record player for the singles, a record deck, a cassette player, CD's of course and my iPod, but for me it's all about the music but there was something about an album cover, reading the notes and lyrics but you can still download all of that now.

I remember my friend Jim in Santa Barbara; he was an Elton fanatic and must have had at least fifteen versions of Goodbye Yellow Brick Road - yellow vinyl, Japanese version and so on.  The internet has changed everything of course, but I think it can be for the better, certainly for the artist.

There's no A & R guy telling you your track needs more strings or a electric guitar, or needs to be 10 beats faster.  Creative control is now totally in the artist's own hands.  Through the internet, from a bedroom in say Cardiff, or Hamburg, or Oslo, or Mount Juliet artist's can reach the world with their music, with their films, with their art and photography and I think it's very exciting and will hopefully lead the way to a new generation of talent that don't need television talent shows to make it, as long as they have the belief, the drive and the hunger to succeed.  In many ways I think this is what is lacking, that drive and hunger, many want it all too easily, by appearing on the Voice or whatever, and don;t get me wrong, some of the singers on that are very good indeed, and we've always had talent shows but nowadays, with pubs for example in the UK closing at the rate of twelve a week, there are fewer and fewer places to play, especially with original music, so hopefully again the internet holds the key to the answer and we'll have some new classic albums.